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"They look at you, like, 'Why weren't you listening?' But you
were listening, it's just you didn't understand it," said one girl. Another
said, "It was like 'Aaaaaah! You're asking me this again?'" A third offered
this comment: "They probably get bored of explaining and explaining you the
basics, you know, so they like it when kids understand and start asking more
complicated questions." When asked how these different levels of classroom
discourse made them feel, they all replied that they felt "stupid", though they
were quick to point out that some teachers are careful not to show these kinds
of preferences.
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«They probably get bored of explaining to
you the basics.» |
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Two rather lengthy comments from one of the young women are of
such interest and concern to us that we would like to present them in full.
These halting yet insightful remarks pose many of the issues about the way
physics is presented in schools and colleges. The problems which Susie
pinpoints and tries to work out for herself are some of the problems which we
hope to begin to unravel as we proceed with our research.
As an addendum to the question "How do you study physics?" Susie
said: There was one thing I learned in Humanities - we were doing, um,
The Realm of Science-that science and art and imagination are supposed to go
together. In school you know, you're not supposed to imagine, you're supposed
to learn and then memorize: da duh da duh da duh. But science is kind of like
imagining things. You're just making a picture in your mind, you know. And that
helps a lot. When you can take what you learn and--even if its not much-just
kinda stretch it and reproduce whatever you have in your mind and how it works
and keep on trying it. I didn't learn this from physics, though, I learned it
from Humanities, and I thought WOW imagination and science together. I really
didn't think about it before because I thought it was all about facts.
When asked if she would like to add anything at the end of the
interview, Susie said: I think they should start physics a lot earlier.
At least the kind-the way you have to think about it. Because people get into
grade ten and they think "HEY What a big stump." They've never imagined or had
the pictures in their mind, like, "I want to raise this object, how do I do it
with a pulley or a string." They also come with this attitude "Aaaah! This is
physics, this is really scary." Its kind of like a straightjacket,
automatically you're paranoid. Like at the beginning of the semester, I - you
know - I'm kinda intimidated; like I'm taking physics and chemistry, and how am
I going to do? So, one of my teachers has this sticker that says [Susie raises
her eyes and points to the ceiling!] 'Physics is good for you, " but it should
be a lot lower. Maybe its just because I'm looking up at the ceiling-but it
should be a lot lower, you know, to have a more relaxing atmosphere about it.
Fran Davis and Arlene Steiger are working on the
first year of their second Quebec Government grant for research in feminist
pedagogy, focusing this time on the physical sciences in the CEGEPS. Since 1988
they have conducted numerous workshops and published articles on their
research. The report of their first project, A Practical Assessment of
Feminist Pedagogy, can be obtained from Vanier College, Montreal, where
Fran teaches English, Arlene teaches Humanities, and both are actively involved
in Women's Studies.
- Rich, Adrienne. On Lies, Secrets, and Silences. W.W.
Norton, New York, 1979, p.243.
- Spender, Dale. Man-made Language. Routledge, Boston,
1980.
- Laforce, Helene. "La pediagogie féministe frappe
à nos portes". Remue-ménage automne, 1987.
- Baruk, Stella. L'âge du capitaine: de l'erreur en
mathématiques. Editions du Seuil, Paris, 1985.
- Spender, Dale. Invisible Women: The Schooling
Scandal. Writers and Readers, London, 1982.
- Keller, Evelyn Fox. Reflections on Gender and
Science. Yale University Press, New Haven, 1985.
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