II. Group Activity/Task
The
instructor:
- Distributes copies of the selection and Before assigning
the reading, invites participants to examine the title page, preview
the selection and make predictions regarding the story content and
- Directs participants and volunteers to read the selection using
the
"Say Something" technique, suggesting that they pay
particular attention to the descriptions of the two major settings -
focusing specifically on place.
III. Summarizing Concepts/Closure
The instructor:
- Reinforces the use of the
"Say Something" technique by
inviting participants to respond to the story.
- Focuses on the role that setting plays in the story by:
a) Eliciting from participants, and at the same time recording in
two columns, the words or phrases that describe the contrasting
settings: Column 1 - in the old country and Column 2 - in the new
country, as shown in Box 22.
b) Developing insights into how the setting highlights the theme by
going back over the list of setting descriptors and dividing that
list into story episodes and
c) Having participants identify what kind of feelings each episode
evokes.
(The family's hopes and expectations were high as
the family anticipated their new life in Canada, reality set in, but
spirits soared at the prospects of a new friend and the flowers
seeding themselves.)
A compare/contrast chart for
reference is shown in Box 22.
- Leads a discussion that encourages making connections between the
experiences described in the story and the participants own
experiences and feelings as immigrants: similarities/differences
from Pettranella's in regard to dreams and expectations, and
experience of reality. (Possibly they immigrated later in the
twentieth century and settled in the city rather than in a rural
area.)
NOTE: Studying historical and realistic fiction provides
for stimulating discussion. As suggested by Dianne Monson (1987),
characters in both types of books share the same universal feelings of
hope and love, hate, fear and joy. Such stories often deal with
personal, social or political conflicts. Hence they are ideal for
piquing discussion among adult groups, even though they are created
for children as the audience.
Connections may also be made with the stories
participants are creating in Writing Workshop. Participants may want
to re-read their own stories to discover whether or not they have
included enough details in regard to setting, attending to both time
and place.
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