There are no prescriptions here for classroom practices that
might accomplish our ends. How we go about our work is of our own making. But
we have an obligation to tell what we know and to share what we know with our
daughters and our sons. We have an obligation to image a future not bounded by
prescriptive social roles designed to limit possibilities; designed,
ultimately, to harness the work, energy, intelligence, hopes, and dreams of one
segment of the population to serve the needs and interests of another.We have
the obligation to pass on information, to share with our women students the
strategies they need to know in order to do what they want to do. We have the
obligation to mentor our women students and to pry open doors that have been
bolted shut for centuries even as we are struggling to hold our own doors open
for ourselves.
Our
stories are not made up but the result of a social organization that has never
taken women's aspirations seriously. |
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And we have the obligation to provide women students with a
curriculum that includes them, in which they can see their own image as women
capable of acting in the world. This is where hope for change lies. Even today,
with the violence and violation that continues to rage in the Persian Gulf, I
hold some hope in the ongoing struggle to make real a vision of the world that
is not yet.
Madga Lewis is assistant professor of Sociology in
the Faculty of Education, Queen's University, where she also teaches in the
sociology department and the Women's Studies Program. Her present research work
is in the area of women and education and feminist pedagogy. She has published
a number of articles on the subject and is presently preparing a book
manuscript.
-
See R. Deem, (ed.), Co-Education Reconsidered,
(1984), Milton Keynes: Open University Press; D. Spender, and E. Sarah. (eds.),
Learning to Lose: Sexism and Education, (1980), London: The Women's
Press Ltd; and G. Weiner, (ed.), Just a Bunch of Girls, (1985), Milton Keynes:
Open University Press.
- I use the term 'patriarchic' in contrast to the more common
term 'patriarchal' because I wish to refer to the significant role, not of
gendered social actors, but of specific social practices.
GOOD-BYE BRASS BAND
Today I
lost my mind in the crosswalk that joins our house to the City of
Light. I crossed the yellow brick road, my tongue hanging out, the
almost invisible lines banana flavoured, the bread I made for the
journey flattened in traffic, my glasses smashed, my goodbye brass
band blooming loud in our family tree, playing upside down, their
blood exhausted, their ruby tunes confused by carbon monoxide.
Today
they murdered children in the Forbidden City, a totem fell in the
forest, and one of my sons decided to suck his thumb again.
Linda
Rogers |
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